Working with homemade pens and inks and natural supports, the idea is to find minute natural patterns within infinite structures: the biological reason and ration for growth and the matrix of cellular data. The minute patterns of sheep skin resemble hand-drawn topographical maps and satellite photographs of landscape elevation. The flow and resist of natural supports resemble the millennial Tetonic push and pull, flow and settlement/sediment.
Drawings in iron gall ink and sepia ink on sheep parchment, Suminagashi on cotton paper and rice paper.
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